Ronda 3.

Edit @TF-001 FINAL . Remove ONLY the small religious picture hanging on the wall at the top right of the room, above the dresser. In its place hang a simple framed family photo of the same size and style as the other frames on the walls. There must be NO crosses, saints, virgins, rosaries or any religious image or symbol anywhere in the room. Everything else stays EXACTLY as in @TF-001 FINAL : the same framing, camera angle and lens, the same people with the same faces, hair, expressions, hands and clothes, every object in its place, the same light, colours, sharpness and fine grain. Change ONLY that one picture. Do not add any text, letters or logos. 16:9. FINISH: the same neat, polished, premium Pizza Hut campaign look as @TF-001 FINAL — NOT darker, NOT low-key — crisp true detail, natural unretouched skin with pores, never plastic, never over-sharpened, never washed out.

Edit @RECORTE 010 . This is a crop of the shot that will be patched back in, so keep its exact framing. Replace ONLY the patterned mosaic floor tiles with a plain floor. THE FLOOR — copy it from @PISO 013 (use it ONLY for the floor; never copy its room, table, chairs, people or toys): smooth, solid, plain light warm-grey large porcelain tiles, no pattern, no mosaic, no printed design, no texture, with very thin barely visible grout lines and soft natural reflections of the window light. The new floor follows the exact same perspective, and every person, foot, toy and piece of furniture standing on it keeps its natural contact shadow. THE TOYS on the floor stay EXACTLY as they are — same place, size, colour and softness of focus — they are part of the shot and must NOT disappear: the blue kids' backpack against the wall, the red toy car on the floor in front of it, the small red-and-yellow toy near the door on the right, and the little pile of toys at the boy's feet at the bottom centre — a blue-and-red action figure, wooden blocks, a green toy and small pieces. Never remove, move or simplify any toy. Everything else stays EXACTLY as in @RECORTE 010 : the same framing, camera angle and lens, the same people with the same faces, hair, expressions, hands and clothes, every object in its place, the same light, colours, sharpness and fine grain. Change ONLY the floor. Do not add any text, letters or logos. 16:9. FINISH: the same neat, polished, premium Pizza Hut campaign look as @RECORTE 010 — NOT darker, NOT low-key — crisp true detail, natural unretouched skin with pores, never plastic, never over-sharpened, never washed out.

Edit @TF-011 FINAL . Two changes only. 1) Replace the patterned mosaic floor tiles with a plain floor. THE FLOOR — copy it from @PISO 013 (use it ONLY for the floor; never copy its room, table, chairs, people or toys): smooth, solid, plain light warm-grey large porcelain tiles, no pattern, no mosaic, no printed design, no texture, with very thin barely visible grout lines and soft natural reflections of the window light. The new floor follows the exact same perspective, and every person, foot, toy and piece of furniture standing on it keeps its natural contact shadow. 2) The cereal boxes and food packages on the counter on the right become plain, unbranded packaging: no logos, no brand names, no mascots, no readable text — and no recognisable brand anywhere else in the kitchen. Everything else stays EXACTLY as in @TF-011 FINAL : the same framing, camera angle and lens, the same people with the same faces, hair, expressions, hands and clothes, every object in its place, the same light, colours, sharpness and fine grain. Change ONLY the floor and the packaging. Do not add any text, letters or logos. 16:9. FINISH: the same neat, polished, premium Pizza Hut campaign look as @TF-011 FINAL — NOT darker, NOT low-key — crisp true detail, natural unretouched skin with pores, never plastic, never over-sharpened, never washed out.

Edit @TF-012 FINAL . Replace ONLY the patterned mosaic floor tiles under the child's feet with a plain floor. THE FLOOR — copy it from @PISO 013 (use it ONLY for the floor; never copy its room, table, chairs, people or toys): smooth, solid, plain light warm-grey large porcelain tiles, no pattern, no mosaic, no printed design, no texture, with very thin barely visible grout lines and soft natural reflections of the window light. The new floor follows the exact same perspective, and every person, foot, toy and piece of furniture standing on it keeps its natural contact shadow. The warm sunlight still falls across the floor in the same soft patches. Everything else stays EXACTLY as in @TF-012 FINAL : the same framing, camera angle and lens, the same people with the same faces, hair, expressions, hands and clothes, every object in its place, the same light, colours, sharpness and fine grain. Change ONLY the floor. Do not add any text, letters or logos. 16:9. FINISH: the same neat, polished, premium Pizza Hut campaign look as @TF-012 FINAL — NOT darker, NOT low-key — crisp true detail, natural unretouched skin with pores, never plastic, never over-sharpened, never washed out.

Edit @TF-036 FINAL . Remove ONLY the colourful striped woven blanket draped over the armchair on the right: the armchair now shows its own plain upholstery, or at most a plain solid oatmeal-beige throw with no stripes and no pattern. If the rug on the floor has the same colourful striped folk pattern, it becomes a plain soft neutral rug. No colourful ethnic or striped textiles anywhere. Everything else stays EXACTLY as in @TF-036 FINAL : the same framing, camera angle and lens, the same people with the same faces, hair, expressions, hands and clothes, every object in its place, the same light, colours, sharpness and fine grain. Change ONLY the blanket (and the rug only if it is striped). Do not add any text, letters or logos. 16:9. FINISH: the same neat, polished, premium Pizza Hut campaign look as @TF-036 FINAL — NOT darker, NOT low-key — crisp true detail, natural unretouched skin with pores, never plastic, never over-sharpened, never washed out.

Edit @TF-058 FINAL . The man in the green shirt and glasses is holding a thin paper sheet that looks like a flyer. Replace it with a real restaurant menu: a sturdy, large, laminated bifold Pizza Hut menu with a red cover, held open naturally in both of his hands at the same height, its inside pages showing appetising pizza photos, seen at an angle so nothing is readable. His hands, fingers and pose stay the same. Everything else stays EXACTLY as in @TF-058 FINAL : the same framing, camera angle and lens, the same people with the same faces, hair, expressions, hands and clothes, every object in its place, the same light, colours, sharpness and fine grain. Change ONLY what he holds. Do not add any text, letters or logos. 16:9. FINISH: the same neat, polished, premium Pizza Hut campaign look as @TF-058 FINAL — NOT darker, NOT low-key — crisp true detail, natural unretouched skin with pores, never plastic, never over-sharpened, never washed out.

Edit @TF-060 FINAL . Two changes only. 1) THE POURED DRINK: the man is pouring cola from the glass pitcher into a glass — the stream, the pitcher and the glass hold dark cola, deep brown with amber where the light passes through, with rising bubbles, a thin light-brown fizz head and ice cubes; the glass is cold with fine condensation droplets. Every drink glass on the table is cola with ice, bubbles and condensation — never a white, milky or cloudy liquid. 2) THE PIZZA is too big: make it a real large Pizza Hut pepperoni pizza in true proportion — about one and a half times the width of a dinner plate on the table, clearly narrower than the shoulders of the people seated behind it — on the same serving tray, which shrinks with it, held by the waiter's same hands, leaving plenty of white table visible around it. Everything else stays EXACTLY as in @TF-060 FINAL : the same framing, camera angle and lens, the same people with the same faces, hair, expressions, hands and clothes, every object in its place, the same light, colours, sharpness and fine grain. Change ONLY the drink and the size of the pizza. Do not add any text, letters or logos. 16:9. FINISH: the same neat, polished, premium Pizza Hut campaign look as @TF-060 FINAL — NOT darker, NOT low-key — crisp true detail, natural unretouched skin with pores, never plastic, never over-sharpened, never washed out.

Edit @TF-063 FINAL . THE PIZZA in the centre of the table is too big: make the pizza and its dark pan a real large Pizza Hut pizza in true proportion — about one and a half times the width of the side plates around it, in scale with the hands, glasses and wings — with the same toppings and the same missing slices. The table, plates, wings, breadsticks, sauces and glasses keep their place; more of the white marble table shows around the smaller pan. Everything else stays EXACTLY as in @TF-063 FINAL : the same framing, camera angle and lens, the same people with the same faces, hair, expressions, hands and clothes, every object in its place, the same light, colours, sharpness and fine grain. Change ONLY the size of the pizza. Do not add any text, letters or logos. 16:9. FINISH: the same neat, polished, premium Pizza Hut campaign look as @TF-063 FINAL — NOT darker, NOT low-key — crisp true detail, natural unretouched skin with pores, never plastic, never over-sharpened, never washed out.

@TOMA 069 BORROSA is deliberately blurred: it is ONLY the map of the framing — copy its composition exactly, never its blur or its magenta colour. Create a SHARP, real photograph. FRAMING (the most important part): an EXTREME MACRO close-up, the lens a few centimetres from the pizza at a low angle. The pizza surface FILLS THE WHOLE FRAME edge to edge — no box walls, no bed, no room, no fairy lights, no hand, no spatula, never a wide shot, never the whole pizza visible. The bottom and left of the frame are covered with toppings in big detail; on the right, a slice is being lifted up and out towards the top-right corner, its crust cut by the frame, with long stretchy cheese strands pulling down in the centre and a little steam. Only the very top edge falls into a soft warm dark blur. THE PIZZA is the same supreme as in @PIZZA 068 CAJA : pepperoni, browned beef crumbles, sliced mushrooms, green bell pepper strips, thin red onion, golden bubbling mozzarella on a golden-brown crust. COLOUR: warm, cosy amber evening lamp light, but the FOOD keeps TRUE, natural, appetising colours — red pepperoni, creamy white-gold cheese, bright green peppers, brown beef. NO magenta, NO pink, NO purple cast anywhere. No text, letters or logos. 16:9. FINISH: crisp true detail, premium Pizza Hut campaign food photography, not darker, not low-key, never plastic, never over-sharpened.

Edit @TF-071 FINAL . THE OPEN PIZZA BOX on the table and the pizza in it are too big. Make the box a standard SQUARE Pizza Hut cardboard box — all four sides equal, sized for one large pizza, lid open — and the pizza inside a real large pizza in true proportion to the mother's and the boy's hands and to the plates, fitting the square box with a small margin. Same pepperoni pizza, same slice she lifts with the same cheese pull. The red closed box, the red napkins, plates and glasses keep their place. Everything else stays EXACTLY as in @TF-071 FINAL : the same framing, camera angle and lens, the same people with the same faces, hair, expressions, hands and clothes, every object in its place, the same light, colours, sharpness and fine grain. Change ONLY the size and shape of the open box and the pizza. Do not add any text, letters or logos. 16:9. FINISH: the same neat, polished, premium Pizza Hut campaign look as @TF-071 FINAL — NOT darker, NOT low-key — crisp true detail, natural unretouched skin with pores, never plastic, never over-sharpened, never washed out.

Edit @TF-074 FINAL . On the closed red pizza box at the bottom right, the small white text printed on the top of the lid, "HECHAS PARA HACERTE FELIZ", becomes a little larger — about one and a half times its current size — in the same white bold font, same four lines, same position near the left of the lid, spelled exactly the same. Everything on the box stays the same: the "SABORES ÚNICOS" band, the line "QUE TE HARÁN SONREÍR", the round logo and the checker pattern. Everything else stays EXACTLY as in @TF-074 FINAL : the same framing, camera angle and lens, the same people with the same faces, hair, expressions, hands and clothes, every object in its place, the same light, colours, sharpness and fine grain. Change ONLY the size of that small text. Do not add any text, letters or logos. 16:9. FINISH: the same neat, polished, premium Pizza Hut campaign look as @TF-074 FINAL — NOT darker, NOT low-key — crisp true detail, natural unretouched skin with pores, never plastic, never over-sharpened, never washed out.

Edit @TF-096 FINAL . THE PIZZA the waitress carries has a crust that is too tall and puffy, like a stuffed-crust pizza. Replace it with exactly the pepperoni Pan Pizza of @PAN PIZZA 097 — the same pizza that arrives at the table in the next shot: thick, golden pan crust with a crisp, slightly fried edge that is NOT a tall raised rim, evenly covered with pepperoni to the edge — on the same tray, same size, held the same way. Everything else stays EXACTLY as in @TF-096 FINAL : the same framing, camera angle and lens, the same people with the same faces, hair, expressions, hands and clothes, every object in its place, the same light, colours, sharpness and fine grain. Change ONLY the pizza. Do not add any text, letters or logos. 16:9. FINISH: the same neat, polished, premium Pizza Hut campaign look as @TF-096 FINAL — NOT darker, NOT low-key — crisp true detail, natural unretouched skin with pores, never plastic, never over-sharpened, never washed out.

Edit @TF-097 FINAL . THE HANGING LAMPS over the tables: there are too many and they are too close together. Keep only THREE of the SAME lamps that are already in this shot — same shape, size, colour and warm glow — well spaced along the row of tables: ONE lamp hanging over each table, centred above it, on its own thin vertical cord, with wide empty space between them. Remove every other lamp completely: where they were, the ceiling, walls, neon signs and windows continue cleanly as they are around them. Everything else stays EXACTLY as in @TF-097 FINAL : the same framing, camera angle and lens, the same people with the same faces, hair, expressions, hands and clothes, every object in its place, the same light, colours, sharpness and fine grain. Change ONLY the number and spacing of the lamps. Do not add any text, letters or logos. 16:9. FINISH: the same neat, polished, premium Pizza Hut campaign look as @TF-097 FINAL — NOT darker, NOT low-key — crisp true detail, natural unretouched skin with pores, never plastic, never over-sharpened, never washed out.

Edit @TF-099 FINAL . Every plate in the restaurant, especially on the children's table on the right, becomes a plain white round ceramic plate — no coloured, red or printed plates. The food on them stays the same. Everything else stays EXACTLY as in @TF-099 FINAL : the same framing, camera angle and lens, the same people with the same faces, hair, expressions, hands and clothes, every object in its place, the same light, colours, sharpness and fine grain. Change ONLY the colour of the plates. Do not add any text, letters or logos. 16:9. FINISH: the same neat, polished, premium Pizza Hut campaign look as @TF-099 FINAL — NOT darker, NOT low-key — crisp true detail, natural unretouched skin with pores, never plastic, never over-sharpened, never washed out.

Edit @TOMA 104 PRESENTADA . THE BROKEN PLATE on the floor is the same plate that slips out of the box in the previous shot: make every shard a piece of exactly the plate in @PLATO 035 — a stoneware dinner plate with a matte cream-beige centre and a wide warm taupe-brown glazed rim with fine concentric ridges. The rim pieces show that brown ridged band on their curved outer edge, the inner pieces are cream-beige, and the fresh broken edges show pale raw ceramic. Same number, size and position of shards, same flying chips and dust, same impact moment. Never a plain white plate. Everything else stays EXACTLY as in @TOMA 104 PRESENTADA : the same framing, camera angle and lens, the same people with the same faces, hair, expressions, hands and clothes, every object in its place, the same light, colours, sharpness and fine grain. Change ONLY the colour and design of the plate shards. Do not add any text, letters or logos. 16:9. FINISH: the same neat, polished, premium Pizza Hut campaign look as @TOMA 104 PRESENTADA — NOT darker, NOT low-key — crisp true detail, natural unretouched skin with pores, never plastic, never over-sharpened, never washed out.

Edit @RECORTE 105 . A close overhead crop of a table (it will be patched back into the full shot, so the framing, size and position of everything must match exactly). Fix ONLY ONE HAND: the man's hand at the lower left — olive-green sleeve, brown leather watch. Right now his fingertips rest against the dark metal PAN rim, between two slices, so he is holding the pan. Change it so he PICKS UP A SLICE: he takes the slice just to the right of his hand, below the cut line — thumb on top of its golden crust, index and middle fingers slid UNDER the slice — and lifts it clearly up off the pan, the outer end of the slice raised a few centimetres and tilted up towards the camera while its tip stays in the pizza, with a stretched string of melted cheese pulling back to the next slice and a thin dark gap of pan showing under it. His fingers touch only the PIZZA, never the pan or its rim. Same sleeve, same watch, same wrist and arm position, same skin tone, natural relaxed fingers. The woman's hand in the white lace sleeve above stays EXACTLY as it is, untouched. The pizza, the pan, the plates and the table stay the same. Everything else stays EXACTLY as in @RECORTE 105 : the same framing, camera angle and lens, the same people with the same faces, hair, expressions, hands and clothes, every object in its place, the same light, colours, sharpness and fine grain. Change ONLY the man's hand and the slice he lifts. Do not add any text, letters or logos. 16:9. FINISH: the same neat, polished, premium Pizza Hut campaign look as @RECORTE 105 — NOT darker, NOT low-key — crisp true detail, natural unretouched skin with pores, never plastic, never over-sharpened, never washed out.

Edit @RECORTE 106 . A close crop of a restaurant table (it will be patched back into the full shot, so the framing, size and position of everything must match exactly). ALL the chicken wings in this crop look too dry and fried: BOTH the pile of wings on the red-and-white checkered paper on the wooden board in the centre AND the wings on the white plate in the front. Give EVERY wing a real barbecue sauce coating: a thin, even layer of deep reddish-brown sauce that clings to the skin and pools a little in the folds, no dry, crumbly or crispy-fried look anywhere. LIGHT: the wings are lit by the SAME soft, warm, even restaurant light as the pizza, breadsticks and glasses next to them — the sauce has only a soft satin sheen with small gentle highlights, like the sheen on the pizza cheese in this same crop. NOT a studio food shot: no hard white specular glints, no wet lacquered shine, no dark dramatic contrast, no darker wings than the rest of the table. The pile on the wooden board stays a generous pile in the same place and size. The white plate in the front keeps only THREE wings, nicely arranged, with clean white plate around them. Everything else stays EXACTLY as in @RECORTE 106 : the same framing, camera angle and lens, the same people with the same faces, hair, expressions, hands and clothes, every object in its place, the same light, colours, sharpness and fine grain. Change ONLY the wings. Do not add any text, letters or logos. 16:9. FINISH: the same neat, polished, premium Pizza Hut campaign look as @RECORTE 106 — NOT darker, NOT low-key — crisp true detail, natural unretouched skin with pores, never plastic, never over-sharpened, never washed out.